As he struggles to figure out where she fits in, Lionel actually tries to protect her while still doing his job, and the screen time between these two characters is something to behold. Laura’s character isn’t a femme fatale sent to throw Lionel off the scent, she’s someone that’s an unwitting piece in the greater game that’s going on.
That relationship is something that sets Motherless Brooklyn apart from a classic film noir in a pretty dramatic fashion. What could be the crowning jewel of this film’s extensive gallery of character interactions is the collection of moments where Norton’s Lionel interacts with Gugu Mbatha-Raw’s Laura, a person of interest in his investigation.
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Knowing how to get the right reads out of himself, as well as his ensemble cast, Norton’s work on Motherless Brooklyn hits it out of the park when it comes to his intention to make a film similar to the classic detective stories of old. The interior monologue he’s given throughout the film helps us see the character’s personality as clear as day, with his condition sometimes adding well-timed humor and depth to the proceedings. Instead of using this as a quick shorthand to endear the viewer to his character, Norton lets Lionel’s disorder add a facet to his life, rather than play to cheap sympathy. And yet, Edward Norton knows exactly which beats to hit in his script and direction, especially in depicting Lionel’s bouts of Tourette’s that are peppered through the film.
He is also the author of two other books : Art of the Monologue (2007), and The Creative Audience – the collaborative role of the audience in the Visual and Performing Arts (2009).In the wrong hands, every other word is dame, and the interior monologue narrating the picture sounds too knowing and way too assured.
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In addition, he has served in various executive capacities at Lorimar Studios, Beverly Hills Playhouse and Warner Bros and has written and performed in animated and live action television series and feature films including, “The Adventures of Dynamo Duck” for Fox TV, the Sci-Fi series” Robotech” and “Flint the Time Detective,” ABC television series including “LA Law,” “NYPD Blue” and “Ugly Betty.” He currently is the president of The Creative Edge, an organization providing individual coaching – seminar programs for actors, writers and creative organizations. Includes 70 original monologues specifically geared for auditions.įrank Catalano is a member of the faculties of the School of Theatre of the University of Southern California and Film, Theatre and Social Science programs at Moorpark College, Pierce College and Pasadena City College. How to select, perform and shorter monologue for an audition. In these memoirs, previously published in online magazines like Mississippi Review and Eyeshot, Grayson weaves funny, quirky, poignant memories into a portrait of a baby boom teenager in Brooklyn before the borough became cool. “Seven Men Who Made Me Happy” recounts how watching soap operas over several decades can be a lifesaver, and “Melissa and the Good Legislator” juxtaposes the story of a gay college student who managed to get a girl pregnant and the courageous New York State assemblyman who came to the young couple’s rescue. “Three Scenes from My Life (With Special Guest Star Truman Capote)” is an episodic tale about adolescent encounters with the famed author.
“The Lost Movie Theaters of Southeastern Brooklyn and Rockaway Beach” and “Branch Libraries of Southeastern Brooklyn” return to the venues where a boy in love with films and books learned about life. In these five autobiographical pieces, award-winning short story writer Richard Grayson explores the Brooklyn of his childhood and adolescence.
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